G6 Chord on Guitar
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Major chords [chords based on a major triad]
CC(add9)C6C6/9Cmaj7Cmaj7(9)Cmaj7(13)Cmaj7(#11)Cmaj7(#5)C7C7(9)C7(13)C7(b9)C7(#9)C7(13,b9)C7(b13)C7(#5)C7(b9,b13)C7(#11)C7(b5)Minor chords [chords based on a minor triad]
CmCm6Cm6/9Cm(add9)Cm7Cm7(9)Cm7(11)Cm7(13)Cm7(b13)Cmmaj7Cm7(b5)Cm7(11,b5)Sus chords [3rd suspended and replaced by a 4th or 2nd]
Csus4Csus2C7sus4C7sus4(9)C7sus4(b9)C7sus4(13)Augmented chords [major chords with augmented 5th (#5) ]
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The 6th chord is a major chord with an additional major 6th. A G6 has the notes G (1), B (3), D (5) and E (6). Sixth chords do NEVER contain a 7th! The major 6th can be found a whole step (2 frets) above the 5th. The 5th can be omitted.
Sixth chords have a dark, melancholic character. They create less tension than seventh chords and therefore don't tend that much towards a next chord change. Theoretically you can play a 6th chord instead or aditionally to all major, maj7 or V7 chords.
A G6 can also be seen as slash chord Em7/G. That is an Em7 chord with G in the bass („E minor seven over G”).
must know
You should memorize these chords, if you are using this chord type frequently.
open chords
At least one string is ringing without a finger touching it. We call this an open string and consequently that chord an open chord. You can't transpose these chord shapes to a higher key, unless you're using a capodaster or mute the open string or the open string then represents just a different chord tone.
moveable
You can transpose these chord shapes to any different key just by moving the whole chord shape along the guitar fretboard until the squared spot represents the new root.
capodaster
The pleasant sound and sometimes easier playability of an open chord can be put into practice by mounting a capodaster on the indicated fret. Of course that may goe along with the disadvantage of not being able to use the frets lower than the capo anymore.